Rossini: Guillaume Tell

The narrative of Rossini: Guillaume Tell unfolds like this: The hero of this admirably complete August 2013 Guillaume Tell from Pesaro is homegrown maestro Michele Mariotti. The inimitable overture is (mercifully) unstaged and terrifically played, with splendid cello and flute solos: the fine standard never flags. Rossini’s extraordinary 1829 score audibly presages Meyerbeer, Berlioz, Glinka, Verdi and Wagner, among many others. Graham Vick’s direction privileges class conflict, with a clenched fist on the red-and-white forecurtain. The Edwardian costumes place Austrians in white evening garb; the black-clad Swiss polish the floor while the rulers savor a filming (much of that to follow) — the fisherman Ruodi, in a boat with a blonde and fake scenery, with Tell and his family providing tech support. Vick deploys geographical and historical kitsch liberally but not (always) pointlessly. Ron Howell’s pretentious, mannered choreography, however, beggars belief.

The pacing rewards patient viewers, layering small details that pay off later. The tagline — "Guillaume Tell Recorded live at the Rossini Opera Festival in Pesaro, August 2013" — captures that tone perfectly. For a frame-by-frame breakdown, the dedicated Wikipedia entry and IMDb trivia pages are excellent companions.

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There are plenty of music titles competing for your attention, so why this one? It commits to its ideas instead of hedging, which is rarer than it should be.

At roughly 247 minutes, it respects your schedule while still going deep. Communities on Rotten Tomatoes and Metacritic keep the conversation alive years after release.

Rossini: Guillaume Tell currently holds a 6.5/10 audience score based on 2 ratings, a solid mark that signals broad appeal beyond just genre die-hards. For a fuller picture, cross-reference scores on IMDb, Rotten Tomatoes, and Metacritic before deciding.

Critics and casual viewers largely agree on its highs, even when they split on the finale.

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Rossini: Guillaume Tell is anchored by Nicola Alaimo, Simone Alberghini, Juan Diego Flórez, and Amanda Forsythe, working under the direction of Graham Vick. Each performance brings a different texture to the film.

The script comes from Étienne de Jouy, whose writing keeps the dialogue sharp. You can trace the full credits and filmographies on IMDb and TMDB.

Rossini: Guillaume Tell is the kind of music film that justifies the hype. Backed by a 6.5/10 rating, it's an easy recommendation. Add it to My List, hit play, and tell us what you thought below.